Beyond the Turin Shroud
Turin Brakes, L2, 10-10-01
Why do people go to gigs? Its a serious
question. For the music? Do you think? You can get music delivered crystal
clear on a CD, through an MP3 enabled phone, Christ, even on a greetings card,
in the comfort of your own, or your attentive lovers, home. There must
be something else, something extra that makes a person pull on their shoes
and winter coat and traipse out to see a gig. For the music? Are you serious?
Lets take as our text, as our Petrie dish, Turin Brakes. They didnt
get that Mercury Nomination by accident, of course the album is a fine
piece of music, and tonight they recreate it lovingly, carefully, with the
desire for perfection sought by a surgeon. And, frankly, its a rubbish
show.
The problem is simple good music great music, even is
not the guarantee of a great show. Many things can make a show great
revolutionary rants; tunes being whacked out with the insistence that you
dance your butt off; strippers wearing monkey masks; a lead singer who is
gorgeous, or drunk, or angry. None of these things were on offer tonight.
Instead, we get a bunch of ordinary looking blokes playing a group of tunes
that, at their worst, veer a little too near to Del Amitri, and at their liveliest
echo Dire Straits doing Sultans of Swing. Too neat to be the Tindersticks,
too miserable to be Crowded House, Turin Brakes effectively ask a room full
of people to stand looking at a CD playing in an overheated room. Next time
the record company wants them to tour an album, they could save themselves
the effort and everyone else the disappointment by literally sending the album
round the venues. "Here it is now, go home and play it, for this
music is better enjoyed laying, in the dark, on your own. There is nothing
to see here."
Aside from a shaky and rapidly abandoned mention of anthrax, youd never
know that as we stood sweltering, bombs were raining down on innocent heads
and panic was spreading through Florida. This was the sound of life going,
as normal, somewhere else.
- Simon Budgen

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